I like the way shallow depth of field and monochrome presentation add a little bit of seriousness to the most mundane of subjects. Please don’t tell The Chairman that I called him “mundane.”
I suffer from gear-itis, and while I’m not seeking a cure, I do need to treat some of the symptoms. I’m grateful to have a collection of cameras, lenses, and flashes sufficient to tackle whatever assignment comes my way, but it also makes me lazy and indecisive, making technical rather than artistic choices.
Not quite far enough from the background for extra-creamy out-of-focus areas, but far better subject isolation than I would have gotten at f/2.8 from the same distance.
As I described in the previous post, I’m testing myself (luxuriously) by trying to limit personal work to one camera body (Nikon D610), one lens (Nikon 85mm f/1.4), and black and white output. This is great gear – better than anything I’ve owned before, but this “deprivation” exercise helps me rekindle the passion I had as a teenager who could only afford one camera body, one lens, and black-and-white film – and had the time of his life learning how to SEE things photographically.
Backgrounds are a constant nemesis to this lazy, disorganized, impatient photographer, but shooting the 85 wide open simplifies otherwise complex backgrounds.
Quality shows. The 85 f/1.4 and D610 work very well together, letting me get sharply focused eyes and beautiful focus fall-off in the foreground and background.
Of course, many of our day-to-day images require the OPPOSITE of my exercise: wide depth of field and full color. Vive la difference!