Different Camera, New Software, Less Blogging

A rare problem - the birds were TOO CLOSE on this particular day at Bolsa Chica.

A rare problem – the birds were TOO CLOSE on this particular day at Bolsa Chica.

I traded my remaining D7000 for a D7100. Now I have, in effect, two versions of the same camera: the D7100 and D610. Almost identical in operation, but one DX sensor and one FX sensor. With my collection of DX and FX lenses, it’s a very versatile combination.

I’m using the D7100 for wildlife, the D610 for events and portraiture, and the Fujifilm X100s for travel. So far, so good, but it’s obviously cutting into my blogging time. Hopefully I’ll have more to report on the 24 megapixel dynamic duo soon. One thing I’ll be writing about: The buffer on the D7100 really let me down during a pelican feeding frenzy at Bolsa Chica. I’d be tracking the birds toward the water and the shutter would slow and then stop just before they struck. Very frustrating.

At the same time, I switched from Aperture to Lightroom for post-processing. The learning curve is steep for a lazy, disorganized, impatient photographer, but so far I like the results.

A nice family moment at Bolsa Chica. Nikon D7100, Nikon 70-200 f/2.8, Nikon TC1.7

A nice family moment at Bolsa Chica. Nikon D7100, Nikon 70-200 f/2.8, Nikon TC17eII teleconverter.

I've been reluctant to use the teleconverter lately, because it degrades image quality, but coupled with the 24 megapixel D7100, it really extends my reach.

I’ve been reluctant to use the teleconverter lately, because it degrades image quality, but coupled with the 24 megapixel D7100, it really extends my reach. Nikon D7100, Nikon 70-200 f/2.8, Nikon TC-17eII teleconverter.

Here is a close-up from the image above. You can see the fishtail and its shadow. I could get used to all these pixels.

Here is a close-up from the image above. You can see the fishtail and its shadow. I could get used to all these pixels. Nikon D7100, Nikon 70-200 f/2.8, Nikon TC17eII teleconverter.

The D7100 is no worse than any camera I've owned for birds in flight, and might be the best. I'll need more practice, and look forward to getting it.

The D7100 is no worse than any camera I’ve owned for birds in flight, and might be the best. I’ll need more practice, and look forward to getting it. Nikon D7100, Nikon 70-200 f/2.8, Nikon TC17eII teleconverter.

On another note, I took a three-day weekend recently with just the X100s. Here's my shadow in Mt. Shasta, California...

On another note, I took a three-day weekend recently with just the X100s. Here’s my shadow in Mt. Shasta, California…

...and here's Mt. Shasta itself. Fujifilm X100s

…and here’s Mt. Shasta itself. Fujifilm X100s

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Filed under Camera Gear, Nature Photography, Travel and Vacation

Finding What Works for Me

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I may have found a focusing system that really works for me. More info to come…

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Filed under Camera Gear, Nature Photography

What I See Versus What I Read

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All of the images in this post were shot with the Nikon D7000 and 70-200 f/2.8, as I try to decide whether to keep the DX camera.

Thom Hogan, whom I trust completely, asks, “Are you FX or DX?” It’s a tough question, and I suspect many Nikon shooters end up with both sensor sizes (if not more). I’ve owned several great DX Nikons: D70, D200, D300, and, currently, D7000. I bought my first FX camera last December; a Nikon D610.

Thom and others point out that the superb image quality of the DX cameras, which feature a smaller sensor than their FX counterparts, should be enough for most users. I’ve certainly been happy with mine. At least, until I got the FX camera. I keep reading that there is not much difference anymore, but my images tell a different story. Continue reading

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Conspicuous Composition: Favorites and Challenges from The Year of Square

Most Year of Square images were last-minute, grudging snapshots, but I still tried to make the composition matter.

Most Year of Square images were last-minute, grudging snapshots, but I still tried to make the composition matter.

I have been told there are no right angles in nature, but I don’t believe it. Nature’s basic operating principle is infinite diversity. I’m sure there are right angles out there somewhere.

Still, you’d have to scan the countryside pretty intently to come up with a rectangle that wasn’t man-made. Good luck finding a perfect square in a field of flowers. This, I think, was the biggest lesson of my Year of Square photo-a-day project: a square is an unnatural shape that calls attention to itself.

Hasselblad shooters and others created iconic square images, but we are accustomed to seeing photographs presented as rectangles. I found the square format challenging. All the usual “rules” of composition apply, but under tighter constraints. Three-plus weeks into the project, I produced an image that interested me:

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Filed under Camera Gear, Composition, Motivation

The Last Month of The Year of Square

As the Year of Square draws to a close, I must reflect on what I've learned about photography, and what it means that I take so many pictures in bars.

As the Year of Square draws to a close, I must reflect on what I’ve learned about photography, and what it means that I take so many pictures in bars.

This is the final month of the Year of Square. Thank goodness. Soon I’ll review the 360-ish images and figure out what I’ve learned. I fear it will have something to do with not being good at long-term self-assignments… Z

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I’m Getting Sick of Praising the FujiFilm X100s, But There It Is

One part light; one part how you see it.

One part light; one part how you see it.

I have not been shooting much lately, so I decided to bring a camera to dinner. I thought about bringing the D610 and 105 micro, but that’s what I brought last time. And besides, the X100s was already in the iPad bag (it’s a Tamrac of some sort, but I cannot find the model number on the bag and you certainly cannot expect a lazy, impatient, disorganized photographer to remember or look up such things. It holds an iPad and a pretty good mess of camera gear, although the X100s and extra batteries live in it most of the time).

Evenings like this remind me that the light is everywhere, except perhaps the Grand Canyon Caverns, and it’s up to me to do something with it. Nice to have a little camera like the X100s at the ready.

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Nikon D610 Resolution Surprise

A quick, front porch snapshot of Charman, the stray who recently adopted us.

A quick, front porch snapshot of Charman, the stray who recently adopted us.

I’ve been enjoying the Nikon 610 since December, but I was still surprised when I enlarged this quick snapshot to find this:

Wow. I did not expect this kind of detail in such a small portion of the frame.

That’s me sitting cross-legged on the front porch. The catchlight is an sb800. I did not expect this kind of detail in such a small portion of the frame.

Something tells me I can do a lot more with 24 megapixels than I have so far. Looks like it’s time to improve my shot discipline yet again!

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